By Brian Massumi
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Nietzsche used to be no longer attracted to the character of artwork as such, or in offering a cultured idea of a conventional variety. For he appeared the importance of paintings to lie now not in l'art pour l'art, yet within the function that it will possibly play in allowing us certainly to 'revalue' the area and human event. This quantity brings jointly a couple of uncommon figures in modern Anglo-American Nietzsche scholarship to envision his perspectives on artwork and the classy inthe context of this wider philosophical undertaking.
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Additional resources for A Shock to Thought: Expression after Deleuze and Guattari (Philosophy & Cultural Studies)
A Shock to Thought: Expression after Deleuze and Guattari (Philosophy & Cultural Studies) by Brian Massumi